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27. TreesAnne GorrickA Japanese maple’s dark red glare Bloodgood sheeted outside a green environment I will not say absolutely anything A white pine crowned with festivals The tree as divine presence muddled branches, alarmingly mathematically divided into a thousand like love At night he imitates the noise of rain on her skin To Dark red leaves, a profound impression of green lose A parasitic biology sets up an imperial scared dance Her regard for the gods of existence blossoming The branches of the camphor frighten her estranges her from regard Because the tree is divided into 1,000 branches Because it describes a woman in love A dark red book and a willow, an orange tree Emperors and saints dance between the pine needles The holidays imply the gods as existent The camphor’s grace grows implicitly Rain gives a correct and pleasant imitation of itself Chinese The orange wood, five-needled Red darkly from the green of a thing opened deeply into another shining wood Chinese The gods adjusted themselves above her into a parasitic biology She can taste the dance of their holy empire Thought always exists as the gods of existence hawthorn But “palaces protracting along three edges…” May rains give an imitation of goodness When the green of the thing into deep red darkness: the tree Biology is parasitic New stars are about an hour long, from end to end: the length of the dance of an empire A holiday tastes of nothing when it’s gone Favor camphor in order for a thousand trees to call one person “in love” The silence peels away any troublesome song The rain imitates his good sense She Pine, box elder, orange timber She is huge with numbers, luminous Thinking of trees, a form of god’s existence the The feeling of being very good: all the timber in the world When entanglement, estrangement become astonishment What tree branches call love hour The rain gives a sentiment of goodness She will be used alongside pine during the dance of an empire Used and pine, maple and orange wood five needled The dark red is engaged deeply, a bright lost to the woods Digital, relative, spindle He thinks the gods always exist in the achievement of existence The feeling is extremely good, there is peace in the woods even the camphor is benevolent Relative that tangle, the I becomes estranged 1,000 branches describe her as if by telephone (not) Large, numerical, relative she becomes fact, a perfection expressed in parasite for All good avoids you, he thinks 1,000 bridal branches divided into love, into cedar delight Healthy in the rain, the finer feelings of imitation If the red pine, then the orange wood, five needled A red from the green of the thing opened deeply Dark leaves, a bright impression She is forced to express a parasitic biology In her, the empire dances like time…or a dress As for the gods of existence, their thoughts are of trees There is a point: good very, but what it is? Felt Avoid camphor, her eyes never lift Luminous The estrangement of the I from the unexpected In meaning, what the woods call “love” is really 10,000 people in a photograph Branches of Himalayan cedar: a thought palace assembled Like orange annoyed by wood He is red from the green of the thing lost a dark sheet over the forest, and occasionally a bright impression The holy dance of the realm, She likes holidays that look like you beyond Always a concern to the gods of existence: their thoughts of trees point out how belief is quite good love She is their address, an imitation of their goodness Anne Gorrick Read Bio Author Discusses Poems |
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